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The Children Act
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A brilliant, emotionally wrenching new novel from the author of Atonement and Amsterdam.
Fiona Maye is a High Court judge in London presiding over cases in family court. She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child's welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is expert in considering the sensitivities of culture and religion when handing down her verdicts. But Fiona's professional success belies domestic strife. Her husband, Jack, asks her to consider an open marriage and, after an argument, moves out of their house. His departure leaves her adrift, wondering whether it was not love she had lost so much as a modern form of respectability; whether it was not contempt and ostracism she really fears.
She decides to throw herself into her work, especially a complex case involving a 17-year-old boy whose parents will not permit a lifesaving blood transfusion because it conflicts with their beliefs as Jehovah's Witnesses. But Jack doesn't leave her thoughts, and the pressure to resolve the case - as well as her crumbling marriage - tests Fiona in ways that will keep listeners thoroughly enthralled until the last stunning page.
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Audible Audiobook
Listening Length: 6 hours and 13 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Recorded Books
Audible.com Release Date: September 9, 2014
Whispersync for Voice: Ready
Language: English, English
ASIN: B00MV5DAB8
Amazon Best Sellers Rank:
Once again, Ian McEwan has shown that he can write deeply affecting books. The Children Act follows the life of a family court judge who is dealing with a deteriorating marriage while trying to decide a significant case. Judge Fiona Maye is set to decide whether a teenage Jehovah's Witness will be allowed to refuse life-saving blood transfusions. As in other of McEwan's books, in this one the characters are faced with monumental questions that belie easy solutions. It's not just the plot, though. There's something in the way McEwan writes that makes the reader marvel at the possibilities of language.
By the time you read this, I will have packed up after a summer’s month on Cape Cod, where my wife and I hid away with boxes of books, our dogs, and walking shoes. What will I recall best about this break? Ian McEwan’s,The Children Act.This is a book you must read. I am not giving you any choice, especially if, like me, you are on the cusp of old age, and have dedicated decades to resolving other people’s problems in court.We lawyers are tourists treading warily in the chaos our client’s bring us. We strive to counsel them on how best to protect interests put into jeopardy in the rule-bound forum of the courts. Does all this gladiatorial hew-haw come at a cost? I’m betting it does. For the past few years, I’ve thought long and hard about Friedrich Nietzsche and wrestling with monsters: “Whoever fights monsters should see to it that in the process he does not become a monster,†Nietzsche said. “And if you gaze long enough into an abyss, the abyss will gaze back into you.†What happens after years of too close association with the dark side? And I’ve wondered, do judges, too, feel the chill of the abyss – the sense that little is solid, that all vanishes amid the passions and chaos of people in crisis? McEwan brings to life Fiona Maye, a 60-year-old British judge presiding in the family courts. She is married to a classics professor. They are childless and at the height of their careers, and powers. Evenings find Fiona sitting at home amid her papers, reading briefs on the issues she will decide, and drafts of opinions that will soon be published under her name. She and her husband have drifted apart. Their marriage is in crisis. She finds refuge in the crippling uncertainties of the law. She’s a common law jurist, and the family that always stands by her with welcoming doors ajar are those judges who have come before her, creating the doctrines and dogma she draws upon to make impossibly difficult judgments. One such case involves a boy in need of a blood transfusion. Just under the age of consent, he insists that he would rather die, serving Jehovah, than be treated. Fiona substitutes her judgment for his, and he lives. The young man’s reaction to her life-saving decision moves her in unexpected and troubling ways. All this amid a crisis in her marriage that could well drive her into the very courts she presides over. She is wise in her assessment of litigants: they will spend all to vindicate principles that hardly matter. She considers her future in the dim light shed by the law. Better to avoid a push off the rocky ledge on which she stands. Inertia is a better guide, a safer shepherd. Her husband, too, soon discovers no matter how exciting the storm, he’d rather list to port. The couple reconnects in small, unsuspecting, ways. Decades of marriage draw them together again. They realize that not all things need discussion, dissection, resolution. I won’t give away the ending. Suffice it to say that in the end simple decency prevails. The book’s ending is beautiful, moving, and convincing. It gives hope to all who are married, who struggle, and who can find satisfaction in simple decency. Fiona Maye lingered long at the edge of the abyss. A simple caress drew her back from the edge. That truth makes this book a necessity for those struggling against the dark tides of desperation.
Anyone who has been involved in social services or family law will appreciate this book. Readers will be able to find some way to relate to the characters in this book.Fiona May is a high court judge in England who presides over family court cases. To say that her job is a challenge would be an understatement. The cases deal with not only messy divorces and spouses delinquent with child support, but with complicated medical judgments and religious considerations. Not only does Fiona have to come to terms with putting the law before emotions but she can't help but bring these heart breaking decisions home with her. She and her husband live in the same house but find their lives becoming more separate. He finds the relationship cooling and without any intimacy. She feels put upon and can't seem to find time to make things right between her husband Jack and herself.Add to that her new case involves a young 17 year old boy named Adam. He has leukemia and badly needs the treatment that may give him a better life and hopefully a longer one. The problem: He and his family are Jehovah Witnesses and the treatment involves blood products which the faith prohibits. Fiona wishes to meet the young man before making judgment and finds a very erudite, intelligent, and seemingly mature young man who is just months away from his eighteenth birthday when he could legally make his own decision. He makes his own case that he is ready to accept whatever the disease brings which will be an unpleasant, uncomfortable life fraught with probably brain damage and ultimately death. He tries to relay his objectives and moral attitudes. But Fiona is not convinced. And this is where the Children Act of 1989 comes into play. A judge may rule in the case of a minor when his health and welfare is at stake.But Fiona's decision has it's consequences and they are ones that she could never have imagined. How does a judge separate herself from her judgment? How does she separate herself from this young man who she has come to care about? Especially when Adam has developed a certain admiration for her. Memories abound and in Fiona's life Adam has temporarily filled a void. But she has a duty to her profession and in the end she has to make decisions that are painful.The author does a credible job in character development in this story. Fiona is a woman of accomplishment---she's not only a very competent judge and has worked long to attain her position, but she's also a talented musician and puts a lot of heart and soul into her piano abilities. But her personal life is empty. Her husband, Jack who is content as a professor doesn't have the same burdens that Fiona carries in her job. At one time they were a loving couple before they went their separate ways in their careers. Can they find a way back?
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